My upcycle project is creating a lampshade simulating a strangler fig tree/pattern. In nature, the strangler fig tree steals nutrients from it’s host tree until the host eventually dies. Once it rots away, the aerial roots of the fig remain, displaying a beautiful pattern. This effectively portrays an aesthetic of beauty in death.
I believe that the opposite aesthetic of “Beauty in Death” could be represented by Y2K Futurism. This aesthetic became popularized in the 1990s. During this time, people were uncertain but optimistic about the new millennium, and thoughts of future technological innovation were on many people’s minds. A few key features of my portrayal of the Beauty in Death aesthetic include nature, muted colors, and a slightly melancholic undertone. On the other hand, Y2K Futurism features metallic, bold colors, is more experimental, has a basis in technology, and is cautiously optimistic for the future.
[2] Aluminum Branch Example
To integrate this aesthetic with my upcycle project design, I would likely shift away from using papier-mâché, and instead leave the branches as aluminum foil. I’d further reinforce the aluminum foil by adding more wires and superglue. I would then be sure to smooth it out as best as possible to leave a flowy, metallic finish.
[3] Green Code Example (Image from the Matrix movie)
Another alteration I would make is coloring the lampshade fabric/construction paper beneath the branches a neon green. During the late 1900s, technology was booming and becoming more mainstream. This aesthetic reflects the curiosity and possibilities associated with technology during the time. The neon green color represents the classic computer text used for many coding editors (see the image above).
[4] Sketched Cloud Idea
The last adjustment I would make to my design would be creating a neon pink and electric blue, cloud-shaped tree canopy (shown above). Y2K Futurism designs often incorporate spheres and curved shapes as well as vibrant colors like neon pink and electric blue. A colorful, translucent cloud would showcase the bubbly aesthetic of Y2K Futurism. To do this, I would look to purchase acrylic spheres from places like Colorado Plastics, paint them, and cut and secure them together. If that turned out to be not economical, I could 3D print the structure or cut it out of foam.
[5] Sketched Lampshade Idea
Combining these components together, my upcycle project would effectively still function as a lamp, but instead portray the Y2K Futurism aesthetic. A sketch of what this might look like is shown above.
Citations:
[1] Aesthetics Wiki, N/A, https://aesthetics.fandom.com/wiki/Y2K_Futurism
[3] user18989612, N/A, https://www.freepik.com/premium-ai-image/green-code-patterns-inspired-by-classic-matrix-style_328593263.htm
2 Comments. Leave new
I liked how you went into details about the changes and provided different alternatives to how you could incorporate Y2K into your project. I was wondering if you could go into more details about how neon green fit into the alternative design and provided examples of that in Y2K.
Hi Annie, thanks for your comment! My thought process behind the implementation of the neon green was that it wouldn’t make sense to include a natural or muted color with the design while trying to fit the Y2K futurism aesthetic. Since Y2K futurism is experimental and has direct ties to the development of technology (particularly with the Y2K computer error scare), I thought that a neon green, like that of a coding software, could fit the aesthetic well. However, to better fit the aesthetic, this color could actually be a glossy green (adding to the metallic feel) or could be removed all together. For my upcycle project, I ended up removing the fabric lampshade within the roots (thus no need for the green color at all).