Final Report Part 2: Eye of Agamotto – The Making Process

Final Report Part 2: Eye of Agamotto – The Making Process

Introduction

This post documents the complete fabrication and final reflection for my main project: the Eye of Agamotto. In Part 1, I outlined my aesthetic goals and conceptual direction. In this final report, I will walk through the process of building the artifact, describe the challenges I faced, and reflect on the results. This project ultimately became a wearable piece of fantasy design that honors the source material while staying grounded in my own creative expression.

Timeline of Work

I divided the project into several key phases and created a timeline to manage my progress. While the project stayed generally on track, I had to adjust along the way to account for design revisions and technical learning.

Phase	Tasks	Dates
Exploration & Research	Sourcing model, gathering visual references	March 10–14
CAD Review & Scaling	Adjusting Thingiverse file, scaling to fit	March 15–17
3D Printing	PLA print at BTU maker lab	March 18–20
Post-Processing	Sanding, smoothing surface	March 21–22
Wearability & Attachment	Superglue & green string necklace	March 23
Mechanism Testing	Exploring built-in rotation/opening feature	March 24–25
Documentation & Photography	Final photo shoot, writing blog content	April 20–23

Fabrication Process

1. Sourcing the Model

I downloaded the Eye of Agamotto 3D model from Thingiverse. This model was well-detailed and included a built-in mechanism for the opening faceplate, which was a big reason I chose it.

• Source: https://www.thingiverse.com/thing:4685294

2. 3D Printing

I printed the model using standard PLA filament in black. The piece was printed in two main parts: the outer shell and the inner base. The mechanism to allow it to open was pre-modeled into the print, which made post-assembly easier.

3. Sanding & Cleanup

After printing, I carefully sanded the shell to remove small print imperfections and stringing. I didn’t paint the model—leaving the raw black PLA was a conscious aesthetic choice that emphasized the artifact’s arcane, shadowy nature. The surface still benefited from being sanded, creating a matte finish that made it feel more authentic and less like plastic.

4. Making It Wearable

To convert the Eye into a wearable object, I cut a piece of green string and superglued it to the back of the shell. This simple solution gave the prop a more personal, handcrafted quality, allowing it to be worn like a pendant or talisman. The green string visually references the Time Stone and ties the whole piece together thematically.

5. Mechanism Functionality

The Eye of Agamotto has a built-in mechanism that allows the outer shell to rotate and open slightly, just like in the films. I was excited to discover that this functionality printed cleanly and worked as intended. Though simple, this feature gives the piece a dynamic, time-based interaction that elevates it beyond a static display object.

Reflection & Comparison to Initial Vision

When I began this project, I envisioned a prop that blended elegance, magic, and mystery. I originally thought I would paint the piece gold or brass, and perhaps integrate a full LED setup. However, I ultimately found that the raw black look captured the mystical quality better than expected.

The addition of the green string not only improved its functionality (as a wearable) but also created a subtle yet effective nod to the glowing green light of the Time Stone. I still plan to add an LED inside in the future to enhance this effect even more.

The biggest surprise for me was how much the built-in opening mechanism enhanced the experience of the object. Even though it’s a small detail, being able to interact with the artifact in a physical way makes it feel more alive.

What I Learned

• Aesthetics don’t require complexity – Even with a simple color scheme and few moving parts, the Eye still has a strong visual identity.
• Less is sometimes more – Rather than over-designing or over-building, letting the object’s form speak for itself was powerful.
• Time management is key – Sticking to my timeline helped me avoid last-minute stress.

Future Improvements

• Add an LED with a diffused resin lens to simulate the glowing Time Stone
• Improve string attachment with a cleaner embedded loop or clasp
• Consider repainting in metallic finish as an alternate aesthetic version

Conclusion

The Eye of Agamotto project has been one of my favorite builds because it brought together so many disciplines: pop culture, aesthetics, fabrication, and storytelling. While the final version is simple in execution, it’s rich in meaning and intent. It represents the mystical and ancient while also feeling wearable and tangible.

I’m proud of how the piece turned out, and even more excited to potentially expand or remake it using what I learned. It’s a reminder that design doesn’t have to be perfect or overly complex to be meaningful. Now all I need to do is get a little green light to glue inside the eye for expo!

In Part 1, I Displayed Pictures of Me Superglueing, 3D Printing, and Assembling.

Final Images:

Featured Image:

Citations:
(1) https://www.thingiverse.com/thing:1929165
(2) Marvel Studios, Doctor Strange, 2016