The Aesthetics of Kaiju

Kaiju, translated from Japanese as “strange beast” , is a film genre centered around giant monsters attacking Japanese metropolises.  The film credited as the first in the genre is also the most recognizable name: Godzilla.  Directed in 1954 by Ishiro Honda, Godzilla spawned a genre of monster films which gave rise to famous monsters such as Mothra, Dogora, King Ghidorah, Mechagodzilla, Ultraman, and countless others.

The first important aesthetic in Kaiju is the movie poster.  These posters generally feature an action shot of the movie’s featured monster as well as some characters in peril.  The posters are covered in bright text of different fonts and colors.  The scale of the monsters is always stressed, as they are superimposed against city skylines, mountains, and castles.



The film’s costumes are another key element of the Kaiju aesthetic.  The limited special effects capabilities of the 1950’s had filmmakers relying heavily on costume artists and set designers to create a world on-screen which could be come across as believable while entertaining unbelievable circumstances.  Kaiju films were perhaps the most dependent on set-designers and costume artists.

These monsters all have over-exaggerated features indicative of dangerous animals.  They are adorned with spiky spines, thick, deep scales, large fangs, multiple heads,  and often possess the ability of spit fire or shoot electricity.  They are meant to appear as an unstoppable force of nature in an era where human technology was beginning to become frighteningly powerful itself.

Sound effects were also an important elements of the aesthetic.  In an era where digital processing was impossibly, foley artists and sound engineers had to come up with ways to create roars for creatures who didn’t exist.  Sound clips of lions and walruses were layered on top of each other, and mixed with the low ends of crashes to create massive cries.  These, in tandem with the movies’ fight scenes were what kept the audience engaged in the films and coming back for more.

Kaiju style movies continue to be developed today.  In 2014, we saw the release of another Godzilla movie, and recent films like 2011’s Super 8, 2008’s Cloverfield, and 2013’s Pacific Rim continue to draw heavily on Kaiju’s established themes and aesthetics.


costume, film, foley, Kaiju, movie, movies, sound
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4 Comments. Leave new

  • Pacific Rim was one of my favorite movies of 2013 (and I think one of the most underrated), and I think it’s nice to draw connections between an undeniably western film and the exceptionally prevalent Japanese influence at it’s core. Kaiju films are a Japanese staple, and have evolved immensely over the years, but your critique on the feel of Kaiju films is very insightful.

  • Andre Szlendak
    January 26, 2016 8:27 am

    Makes me think its the eastern david and goliath story. I loved that you took a sensation approach, I absorb a particular aesthetic or theme through my very senses and you did a great job articulating exactly what evokes those sensations. There are a lot of subtleties that you picked up on that I otherwise wouldn’t….. the scaling tricks and sound effects. I love the referencing behind the scenes images of them creating these illusions. How were these costumes created?

  • This mainly makes me wonder where the line is drawn between a regular monster and a kaiju (15 ft, 30ft, …) . I also begin to wonder if jaws would begin to infringe on kaiju territory since it is larger than most sharks. The key difference would be that the monster already exists/looks very similar to current great white sharks. I am also amazed by how impressive the sets were: imagine how long it took to make those mini buildings/trees. I wonder it looked realistic at the time (today it would more obvious that props were used instead of CGI buildings/somethings else.

  • Until I saw this post I thought Kaiju were solely the beasts in the movie Pacific Rim! Which totally makes sense since they directly depict how you described them in this article. I found the methods of making beast noises by overlapping multiple animal sounds very interesting. If the earlier 50’s Kaiju movies used costumes with people in them, how did they portray the beasts to be extremely taller than people/pedestrians in the same scene?


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