• Home
  • Current Semester Posts
    • Post 01 2025: Aesthetic Explorations
    • Post 2- 2025 : What is your Upcycling project? What is the aesthetic and why?
    • Post 3 – 2025 : Upcycle Progress
    • Post 4- 2025 : Opposite Upcycle Aesthetic
    • Post 5 – 2025: Upcycle Design Report
    • Post 6 – 2025 : Main Project Plans and Inspirations
    • Post 7 – 2025 : Main Project Aesthetics: Plans and Alternatives.
    • Post 8 – 2025 : Design Preview Report
    • Post 9 – 2025 : Top 5 specifications, top 5 constraints
    • Post 10 – 2025 : Progress
    • Post 11 – 2025 : Final Report Part 1
    • Post 12 – 2025 : Main Project Final Report Part 2
    • Post 13 – 2025 : Portfolio
  • Older Student Work
    • Light fixture
    • A/V music tech
    • Furniture
    • Mirror
    • Pet Accessory
    • Product Design
    • Sculpture
    • Wall art
    • Other
    • 2024
      • Post 1: Aesthetics Exploration
      • Post 2: What is your upcycling aesthetic and why?
      • Post 3: Upcycle progress
      • Post 4: Opposite Upcycle Aesthetic
      • Post 5: Upcycle Design Report
      • Post 6: Main project plans and inspiration
      • Post 7 2024: Main Project Aesthetics – Plans and Alternatives
      • Post 8 2024: Design Preview Report
      • Post 9 2024: : Top 5 specifications, top 5 constraints
      • Post 10 2024: Progress Since Design Preview
      • Post 11 2024 Final Report Part 1: What and Why
      • Post 12 2024: How and What Next?
      • Post 13 2024: Portfolio
    • 2023
      • Post 1 – 2023
      • Post 2 – 2023
      • Post 3 – 2023
      • Post 4 – 2023
      • Post 5 – 2023
      • Post 6 – 2023
      • Post 7 – 2023
      • Post 8 – 2023
      • Post 9 – 2023
      • Post 10 – 2023
      • Post 11 – 2023
      • Post 12 – 2023
      • Post 13 – 2023
    • 2022
      • Post 1 – 2022
      • Post 2 – 2022
      • Post 3 – 2022
      • Post 4 – 2022
      • Post 5 – 2022
      • Post 6 – 2022
      • Post 7 – 2022
      • Post 8 – 2022
      • Post 9 – 2022
      • Post 10 – 2022
      • Post 11 – 2022
      • Post 12 – 2022
      • Post 13 – 2022
    • 2021
      • Post 1 – 2021
      • Post 2 – 2021
      • Post 3 – 2021
      • Post 4 – 2021
      • Post 5 – 2021
      • Post 6 – 2021
      • Post 7 – 2021
      • Post 8 – 2021
      • Post 9 – 2021
      • Post 10 – 2021
      • Post 11 – 2021
      • Post 12 – 2021
      • Post 13 – 2021
    • 2020
      • Post 1 – 2020
      • Post 2 – 2020
      • Post 3 – 2020
      • Post 4 – 2020
      • Post 5 – 2020
      • Post 6 – 2020
      • Post 7 – 2020
      • Post 8 – 2020
      • Post 9 – 2020
      • Post 10 – 2020
      • Post 11 – 2020
      • Post 12 – 2020
      • Post 13 – 2020
    • 2019
      • Post 1 – 2019
      • Post 2 – 2019
      • Post 3 – 2019
      • Post 4 – 2019
      • Post 5 – 2019
      • Post 6 – 2019
      • Post 7 – 2019
      • Post 8 – 2019
      • Post 9 – 2019
      • Post 10 – 2019
      • Post 11 – 2019
      • Post 12 – 2019
      • Post 13 – 2019
    • 2018
      • Post 1 – 2018
      • Post 2 – 2018
      • Post 3 – 2018
      • Post 4 – 2018
      • Post 5 – 2018
      • Post 6 – 2018
      • Post 7 – 2018
      • Post 8 – 2018
      • Post 9 – 2018
      • Post 10 – 2018
      • Post 11 – 2018
      • Post 12 – 2018
      • Post 13 – 2018
    • 2017
      • Post 1 – 2017
      • Post 2 – 2017
      • Post 3 – 2017
      • Post 4 – 2017
      • Post 5 – 2017
      • Post 6 – 2017
      • Post 7 – 2017
      • Post 8 – 2017
      • Post 9 – 2017
      • Post 10 – 2017
      • Post 11 – 2017
      • Post 12 – 2017
      • Post 13 – 2017
    • 2016
      • Post 1 – 2016
      • Post 2 – 2016
      • Post 3 – 2016
      • Post 4 – 2016
      • Post 5 – 2016
      • Post 6 – 2016
      • Post 7 – 2016
      • Post 8 – 2016
      • Post 9 – 2016
      • Post 10 – 2016
      • Post 11 – 2016
      • Post 12 – 2016
      • Post 13 – 2016
  • Current Course (2025)
    • Schedule 2025
    • Final Specs 2025
    • Design Preview Specs 2025
    • Blog and Blog Comment/Critique Policies
    • Presentation Critiques
    • Pod and Critique Facilitator Responsibilities
    • Sources for materials
    • Student Resources
    • Zotero Library Access
    • Designers and fun links
    • Syllabus
    • Initial Assignments 2025

Opposite Aesthetic: From Ski Town to Hyper-Urban Pop Art

Upcycle Opposite Aesthetic: Pop-Industrial vs Naturalism

Opposite Maximalist Ski Slope

Impressionism

Oposite aesthetic- Minimalist and nonfunctional

Our current reality: Stupid Futurism

Urban Decay: Opposite of Decopunk

Exploring a Modern Pastel Alternative to My Industrial Vintage Upcycle Project

Minimalist Modernity (Hostile Interior Design)

Minimalist aesthetic

What Would the Opposite of a Futuristic Beer Bottle Be?

Opposite Upcycling Aesthetic – Art Nouveau & Wabi-Sabi

Opposite Upcycle Aesthetic: Maximalism, Naturalistic, and Traditional

Opposite of my Upcycle Project: Brutalist Aesthetic

Opposite Upcycle Aesthetic – Brutalism

Opposite Aesthetic- Industrial Minimalism

Opposite Aesthetic- Childhood Nostalgia vs. Dystopia

Opposite Aesthetic – Dark Academia

Opposite of my project upcycle: Modern Technology Aesthetic

Opposite Upcycle Aesthetic – Minimalism

Opposite Upcycle Aesthetic – Rustic Chess Piece

Scandinavian Aesthetic – Opposite to Old English

Ornate Wood Carving

Opposite Upcycle Aesthetic – Cyberprep

Opposite Upcycle Aesthetic: Modern Architecture

The Opposite of Artificial Nature: Pristine Futurism

Opposite Aesthetic of Upcycle Project

Post 4: Opposite Upcycle Aesthetic – Steampunk/Cyberpunk

Opposite Upcycle Aesthetic

Plastic forest classical sketch

Opposite Upcycle Aesthetic – Plastic Forest

Potential Design for an Industrial Aesthetic Plant Holder

Opposite Upcycle Aesthetic

Opposite Upcycle Aesthetic – Modern Minimalism Ball Shelf

From Pink & Cute to Green & Grunge

An Industrialist’s Stool

Opposite Upcycle Aesthetic: Realism

Beach/Coastal Aesthetic: Possible Upcycling Project

Opposite Upcycle:

Upcycle Project Opposite Aesthetic – Modernism

Opposite Upcycle Aesthetic: Futuristic

The Opposite of the Pixel Aesthetic

The Unexpected Blue Theory: Red’s Opposition

Modern Industrial Aesthetic

Genshin Impact Floral Design Maximalism

Opposite Aesthetic – Bold & Modern

The Opposite of Mid-Century Modern

Opposite of Upcycle Project – Disorder

Opposite to Beauty in Death: Y2K Futurism

The opposite of the sports bar aesthetic: Upscale cocktail lounge aesthetic

Opposite Aesthetic: Minimalist Kitchen Space

Opposite Mirror Aesthetic.

Opposite Upcycle Aesthetic: Cyberpunk Maximalism

Opposite Aesthetic for Metal Shrinker Stretcher Stand

Opposite Upcycle Aesthetic – Industrialism, Consumerism

Maximalist Pants, the Opposite of Scandinavian Minimialist

Neoclassicism vs Pop Art

Space Age to Steampunk

Opposite Aesthetic: Seamless Design

Dark Academia Aesthetic – The Opposite of Frutiger Aero

Modern Minimalist Aesthetic

Opposite of Earthy Neutrals? Neon Futurism.

Opposite Aesthetic: Corporate

Seeing vs Feeling: The Divide Between Realism and Abstract

Opposite aesthetic: minimalist futuristic

Industrial Steampunk

The Opposite of Minimalism: Maximalism

The Opposite of Patchwork Aesthetic

Opposite Aesthetic: Cast Iron

Opposite of Ornate Peacock Chair

Brutal Nouveau: A Theoretical Shift

Opposite Aesthetic: Rustic Modern Wood Mosaic

Less is Less – Opposite the Bookframe

Designed without true function in mind: The opposite of Neuroaesthetics

Industrial Aesthetic

Modernist Aesthetic in a Chalk Bag

Rustic Pokemon TCG Box

Opposite Aesthetic – Maximalist vs Minimilism

Opposite Upcycle Aesthetic: Artificiality and the Supernaturalism

Automated High-Tech Self-Watering Planter

Modern Film Slide Lampshade (Opposite Upcycle Aesthetic)

Hallyu-Inspired Water Bottle Sling: What is the Opposing Aesthetic?

Collage Cards: Opposite Aesthetic

Brutalist Maximalist Aesthetic – The Opposite of Scandinavian Design!

Brutal Bee: Upcycle Opposites

Opposite of Upcycle Aesthetic

1960’s Office Aesthetic

Opposite upcycle Aesthetic

Industrial Aesthetic, Anti-Nature

Aesthetics of Design by Jean Hertzberg and students is licensed under CC BY-SA 4.0

Â